Corbin Bolies
Corbin Bolies reports on how artificial intelligence is changing entertainment, zeroing in on music and the media business for Variety. His coverage connects new AI tools with the artists, executives and organizations that use them, treating technology as a creative and commercial force rather than a niche subject. He writes news, analysis and features that follow AI from music platforms and record catalogs through film, television and digital publishing.
AI and the Music Business
Bolies’ music coverage sits inside this wider AI beat, with stories that track how artists and companies experiment with new tools and formats. In his piece on Suno’s Spark incubator, he follows how an AI music platform builds a structured program for independent artists, blending product news with the practical realities of artist development in an algorithmic environment.
His article on the Beach Boys’ 60th anniversary Pet Sounds merchandise package, including limited-edition vinyl, shows an eye for catalog projects that fuse nostalgia with fresh commercial strategy. These stories place music squarely within the entertainment technology story he covers, linking artist initiatives, merchandise campaigns and platform launches to broader shifts in tools, distribution and fan engagement.
AI’s Impact on Film, Television and Media
At Variety, Bolies is assigned to cover the intersection of artificial intelligence and the entertainment business, including how the technology affects film, television, music and media. His role is defined around producing news, analysis and features about leading AI companies and about how Hollywood and the wider media sector adapt to a major change in computing technology.
That brief pushes his coverage beyond product announcements into corporate strategy, where he tracks how studios, streamers and publishers integrate generative tools into production, post-production and audience-facing products. His reporting brings a business lens to AI experiments, looking at investment, partnerships and workflow changes alongside creative claims.
Newsroom Contracts, Labor and AI
Before joining Variety, Bolies reported on the media industry, with particular attention to how news organizations use AI and what that means for journalists’ rights and working conditions. He covered the media business for The Wrap, examining the journalism industry and its ties to politics and technology, and previously reported on television and news for The Daily Beast. In work cited by other outlets, he examined newspaper companies putting human bylines on AI-generated stories without reporters’ consent and detailed McClatchy executives’ approach to labeling AI-assisted content. Those stories followed contract language, union protections and transparency practices, showing how labor issues and reader trust shape the rollout of AI in newsrooms.
That background carries into his current beat, giving his entertainment coverage a clear sense of the stakes around credit, compensation and ethics when AI tools touch creative and editorial work.
Industry Events and Public Conversation
Bolies also participates in public industry conversations about AI, moderating a discussion on AI and Hollywood at the Ai4 conference and then reflecting on the event for a Variety podcast episode.
His social bio presents him as an AI reporter and a music lover, underscoring the blend of technology reporting and cultural interest that shapes the way he approaches stories. Through these appearances he frames AI as a transformative but unsettled force, relaying how filmmakers, technologists and executives talk about both its potential and its risks.
The combination of live moderation, audio conversations and written pieces gives his beat continuity across formats, keeping his AI-and-entertainment coverage grounded in how industry figures are actually debating and testing the technology.
4 more music journalists.
Andrea Dresdale
Andrea Dresdale manages entertainment content at ABC Audio and covers music-driven pop culture for news and audio platforms. Her beat centers on chart-friendly pop, new releases, mainstream artists, awards, residencies and industry milestones. She also reports on legacy acts, anniversaries, nostalgia, remixes, live performances and music’s links to film, television, streaming and social media. Her notable coverage includes Taylor Swift, BTS, The Weeknd, Madonna, The Beach Boys, Bruce Springsteen, Patty Smyth and Miley Cyrus. Her work has appeared through syndicated ABC Audio coverage on outlets such as WRMF, KS95 and Hot 96.7. Dresdale writes concise, timely pieces for radio audiences. She frames songs, tours, specials and career moments through cultural impact, fan appeal, commercial momentum and lasting relevance. Her stories connect current hits with music history and show how artists maintain attention through new releases, collaborations and reinterpretations.
Andrew Weber
Andrew Weber uses accountability reporting to examine who benefits from decisions shaping Austin’s music ecosystem. He reports for KUT as a government accountability reporter and works as a freelance reporter and associate editor for KUT News across the public radio network. His music coverage focuses on musicians’ pay at festivals, health care, mental health services, venue relief and working conditions. He treats SXSW as a workplace and economic system, reporting on low fees, sponsorships, boycotts and the political choices behind the festival. He also covers government and institutional issues, including KUT’s relationship with the University of Texas and the firing of general manager Debbie Hiott. His reporting ranges from nonprofit support systems to experimental sound art. He plays music on the side and brings digital storytelling experience, including an Edward R. Murrow award for social media work.
Andy Greene
Andy Greene is a senior writer at Rolling Stone who stands out for long-form interviews and narrative features that follow artists across entire careers. He focuses on music, especially classic rock performers, live shows, tours, and band dynamics. He runs the interview series Unknown Legends and King For a Day, which center on veteran musicians, sidemen, collaborators, and singers who replace legendary frontmen. He also writes cover stories and major features on high-profile figures, including Radiohead, Howard Stern, Bill Withers, Nathan Fielder, Steve Perry, Pete Townshend, and Stephen King. His reporting relies on access, detailed questioning, and a deep command of rock history. He also writes about film and television when they connect to music and culture.
Anna Grace Lee
Anna Grace Lee is a Vogue reporter who covers pop musicians and celebrities through fashion, weddings, and lifestyle culture, focusing on dresses, events, pets, and subcultures rather than industry news. She writes scene-driven features that place entertainers in vivid settings, from villas to underground food markets, and treats music-adjacent stories as fashion and craftsmanship narratives. Her Dua Lipa Sicily wedding coverage shows how she frames a wedding dress as a haute couture moment and a pop-cultural milestone, emphasizing design, making, and handwork. Her Millie Bobby Brown miniature poodle piece reflects a consistent interest in celebrity pets, fandom, and off-stage persona. She also reports lifestyle features like Brooklyn’s buzziest underground cheese sale, embedding in niche food scenes. At Vogue she contributes to weddings, celebrity, living, and Met Gala coverage, and maintains a portfolio of culture and lifestyle work built around entertainment-adjacent storytelling.