Bec Lorrimer
Bec Lorrimer is a visual journalist and picture editor at the Guardian who focuses on telling environment stories through photography and careful image selection across the masthead. Her work sits at the intersection of climate coverage and visual editing, using picture-led formats to show how global heating and other environmental pressures play out in everyday life.
South Korea swelters through record high temperatures
Lorrimer’s environment beat is defined by picture galleries that track the lived experience of climate extremes rather than abstract policy debate.
In her coverage of record high temperatures in South Korea, she uses a dedicated “in pictures” format to follow a heatwave as a visual story, foregrounding the scale of global heating through a sequence of images rather than text-led analysis. The focus on one country under strain from extreme heat reflects a broader interest in how climate crisis manifests differently across regions while sharing common human pressures.
Her environment work leans on clear, accessible framing in headlines and image selection, making it straightforward for audiences to grasp both the severity of events and the context in which they unfold.
Best photos of the month
Lorrimer also contributes photographs to roundups of the month’s strongest images at the Guardian, which gather news, features and everyday scenes into a single visual digest. Her pictures sit alongside other contributors in this format, but the recurring credits mark her as a regular participant in the outlet’s broader visual reporting. The monthly structure means her work is often tied to time-sensitive events, requiring quick, accurate judgment on which moments best represent a story while still holding up in a curated retrospective. This cadence complements her environment galleries: both rely on a disciplined selection process and a clear sense of which images carry the core of a story without additional explanation.
Notes from a nursing home
Lorrimer’s photography extends beyond climate into human-centred features, including visual work for a piece on life in a nursing home that examines how residents and staff navigate sadness and care.
In that context her images support a narrative about emotional climate and institutional life, showing that her visual reporting is not limited to environmental change but also to social settings where the stakes are personal and ongoing. The nursing home work underscores a consistent thread in her portfolio: a focus on people and places under pressure, whether from ageing, isolation or global heating, rendered through restrained, documentary-style imagery.
Visual editor on global fronts
Alongside her photography, Lorrimer holds a global visual editor role at the Guardian, working as an assistant picture editor across the outlet’s international website fronts. She is responsible for selecting and shaping the images that appear on major pages, a position that requires familiarity with environment coverage as well as politics, culture and general news.
Her background as a photographer and video director feeds into this desk role, giving her practical experience of how images are made and how they will read when placed in a wider editorial layout.
Earlier work as a fronts picture editor and photo producer at the same masthead further grounds her in the production chain, from commissioning and shooting through to final presentation. The combination of hands-on photography and high-level picture editing means that when Lorrimer works on environment stories, she is thinking both as a visual reporter and as the person who decides how those images will carry the story on the site.
Taken together, Lorrimer’s environment coverage is distinguished by a visual-first approach to climate and human stories, anchored in galleries and curated selections rather than long text features. Her role in shaping global fronts at the Guardian gives her a broad view of how climate crisis coverage fits within the news agenda, while her own bylines and photo credits show a steady focus on people, places and institutions adapting to different kinds of pressure. Communications teams engaging with her work are addressing a journalist who treats imagery as the primary vehicle for environment reporting and who operates at both the production and editing stages of visual news.
4 more environment journalists.
Adelaide Lang
Adelaide Lang combines climate reporting with courtroom and Indigenous-focused journalism. She reports for The Daily Telegraph, with work also appearing in The Canberra Times, and contributes guest pieces to National Indigenous Times. Her environment coverage focuses on climate-threatened islands, community resilience and how policy decisions affect people facing direct environmental risks. She follows local campaigns, adaptation efforts and political pressure while keeping the human effects clear. Lang also covers court proceedings involving public officials, including the trial of State MP Gareth Ward over historical sexual and indecent assault charges. Her reporting examines how allegations are tested in court and how the justice system handles accusations against people in power. With more than five years in digital media and courtroom reporting, she writes clear, factual accounts of events, legal processes and their consequences.
Ashleigh McMillan
Ashleigh McMillan is a breaking news reporter at The Age. She stands out for covering the environment through public events, infrastructure and everyday city life. Her reporting tracks how protests, policy decisions and sudden incidents change routines, public safety and the spaces people move through. She covers fast-moving stories across Victoria, with a focus on community tension, access and the lived effects of official decisions. Her work includes protests and public demonstrations, crime and courts, transport and ticketing changes, traffic experiments, weather, and environmental conditions in the city. She reports on what people see and feel on the ground, with attention to victims, commuters, residents and the practical consequences of legal and infrastructure decisions.
Bareket Falk
Bareket Falk uses environmental stories to show how growing bodies handle physical stress, especially heat, during exercise. She is a pediatric exercise physiologist and kinesiology professor whose work focuses on how children, adolescents and adults respond to activity across growth and development. She writes evidence-led explainers for The Conversation that test assumptions about children’s vulnerability and turn decades of exercise science into clear, practical guidance. Her core piece looks at how children and adults cope with extreme heat, walking through basic thermoregulation and challenging the idea that children are automatically more fragile. Her journalism draws directly on research into blood flow, sweating, body size and growth, keeping technical detail tight and translating findings into concrete behaviours such as pacing activity, seeking shade and hydration. She is interested in how physical activity interacts with maturation, body composition and recovery, and uses data to check myths about kids’ risk.
Blanca Begert
Blanca Begert treats climate change as a system of policies, infrastructure and markets, following money and regulation at the same time. She is a climate and energy reporter on the environment desk at the Los Angeles Times, covering California’s power sector, oil and gas industry and efforts to cut emissions. Her work tracks how state agencies and legislators design and enforce rules for utilities, refiners and other energy companies, often highlighting friction between climate goals and business interests and linking corporate earnings to consumer costs and political pressure. She previously covered California climate policy and politics for Inside Climate News and Politico. Begert has extensive experience reporting on forests, Indigenous land rights and carbon markets in Latin America and has worked as a reporter, editor and multimedia producer on environmental stories, including video journalism.