Angelique Jackson
Angelique Jackson covers the film and media business for Variety, with a focus on how studio, network and streaming decisions intersect with the careers of major talent and the stories they tell. She is a senior entertainment writer, combining news reporting on projects and deals with long‑form profiles of stars, showrunners and filmmakers across film and television. Her beat sits at the point where industry strategy, awards ambitions and representation meet.
Film and media business coverage
Jackson reports on the film and media industries, tracking new projects, release strategies and the shifting priorities of studios and streaming platforms. Her recent work includes film news pieces such as the announcement of a sequel to the thriller “Crawl,” detailing its casting, timing and positioning in the release calendar.
She also covers development and casting news on high‑profile projects, including stories on an “Ocean’s 11” prequel anchored by Margot Robbie and Bradley Cooper, with Wagner Moura in talks to join the ensemble.
Across this news reporting, she treats film announcements as business stories, foregrounding how projects fit into broader slates, franchise strategies and talent relationships. Headlines and copy routinely pair casting and release information with studio and distributor context, making her coverage useful for understanding how a single project fits into a larger industry pattern.
Profiles of major film and television talent
A defining part of Jackson’s work is her profile writing on prominent actors, creators and executives.
Variety highlights her cover stories on Issa Rae, Tyler Perry, Regé‑Jean Page and Whoopi Goldberg, underscoring her role in shaping narrative‑driven pieces about well‑known figures in film and television. These features go beyond promotion cycles to examine career trajectories, creative choices and the business environment around each subject.
Her profile of Harrison Ford, written as a cover story and later discussed on a Variety podcast episode, is a clear example. The piece explored the veteran actor’s late‑career Emmy recognition for his work in an Apple TV comedy, connecting his performance to his broader legacy in franchises like “Star Wars” and “Indiana Jones.”
Jackson’s profiles tend to balance personal anecdotes, craft discussion and the structural realities of the industry, giving equal weight to character and context.
Awards shows, festivals and the awards race
Jackson’s beat grew out of coverage of awards shows, premieres and film festivals, and that lens remains central to her current work. She began at Variety as an events and lifestyle producer, reporting on major ceremonies and festival red carpets before moving into film reporting.
That experience informs her ongoing attention to how awards recognition, festival debuts and campaign strategies shape the fortunes of films and series.
Within that space, she has worked on coverage devoted specifically to Black actors, filmmakers and craftspeople in the awards race, co‑conceiving a special issue that centered their contributions and visibility. Her stories in this area track both individual contenders and the systemic questions surrounding representation, opportunity and recognition in Hollywood’s prize‑giving machinery. Awards‑adjacent reporting, whether tied to a festival slate or a season‑long campaign, is a recurring thread in her archive.
Moderating conversations and multimedia work
Beyond the page, Jackson extends her reporting into live and recorded formats. She moderates industry panels at major events, including curated discussions at Sundance that bring together actors, directors and editors to talk about their work and the state of the business. These sessions place her as an on‑stage interlocutor, translating her reporting instincts into real‑time conversations with talent and creatives.
She also appears in Variety’s multimedia coverage, serving as a guest host on episodes of “The Take” to walk through the week’s biggest entertainment stories, from album announcements and new singles to attempted comebacks by controversial figures. Her presence on podcasts and video series complements the written beat, giving her a platform to synthesize news, profiles and awards coverage in front of an audience.
Jackson’s previous producing work at a major entertainment news program, where she earned three Daytime Emmy awards, reinforces that she is as comfortable shaping coverage behind the scenes as she is delivering it.
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Aaron Couch
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Adam Blevins
Adam Blevins tracks how major entertainment projects perform, stall, and evolve across theaters and streaming platforms. He is a senior author at Collider covering film, television, superhero and science-fiction franchises, and gaming-related screen projects. His core beat is box office results, streaming performance, release windows, budgets, production changes, cancellations, sequels, and franchise durability. He has written exclusives involving Avengers: Doomsday, The Penguin, and Star Wars: Skeleton Crew. Earlier, he wrote gaming features at Screen Rant and became a senior editor at Agents of Fandom, where he interviewed talent connected to Marvel Studios, House of the Dragon, and Planet of the Apes. He also visited the set of The Chosen. His reporting is high-volume, direct, and data-driven, using metrics, release details, interviews, and production context to explain commercial prospects and fan interest.
Adele Ankers-Range
Adele Ankers-Range is a senior writer at MovieWeb who tracks streaming thrillers, book-to-screen adaptations, and industry announcements through the fan conversations around them. Writing professionally since 2015, she has also contributed to IGN, Sideshow Collectibles, Screen Rant, and other genre-focused brands. Her beat covers new and upcoming film and television titles, especially thrillers, high-concept genre releases, literary franchises, and projects moving from development to release. She reports on teaser reveals, casting, release dates, CinemaCon announcements, platform strategy, and early critical response. Her coverage often uses reception metrics such as Rotten Tomatoes scores to show how a release is landing. She returns to adaptations as they develop, following announcements, talent attachments, marketing, and final release details. Her work is fast, news-driven, concise, and attentive to fan theories, speculation, and the reasons a project matters.
Adrianna Freedman
Adrianna Freedman turns fan-driven TV and streaming moments into fast, service-focused entertainment stories for Good Housekeeping. She covers network dramas, procedurals, Hallmark titles, streaming releases and book-to-screen projects, including renewals, premiere dates, cast news, release timing, platforms and pricing. Her work centers on how developments affect committed viewers. She also reports on daytime hosts and celebrities, covering health updates, family milestones, career changes, social posts and fan response without gossip or speculation. Freedman conducts interviews and writes features on subjects such as personal books, career milestones and awards. She has written for or across Hearst titles including ELLE, Cosmopolitan, Men’s Health and Town & Country, as well as Prevention and Oprah Daily. Her coverage of television, movies, music and celebrity pop culture uses clear language, concise explainers and direct, headline-driven angles.